Ebook A Dirty Job: A Novel, by Christopher Moore

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A Dirty Job: A Novel, by Christopher Moore

A Dirty Job: A Novel, by Christopher Moore


A Dirty Job: A Novel, by Christopher Moore


Ebook A Dirty Job: A Novel, by Christopher Moore

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A Dirty Job: A Novel, by Christopher Moore

Review

“Makes you laugh in the face of death.” (Rocky Mountain News)“[Moore] is superb in this mock epic of death and love. Smart people will be enormously amused.” (Library Journal (starred review))“My top pick for laugh-out-loud reading . . . dark, dark, dark and funny, funny, funny.” (Sarasota Herald-Tribune)“Hilarious yet poignant.” (Hartford Courant)“Outlandishly funny.” (Syracuse Post-Standard)“One of the antic Moore’s funniest capers yet.” (Kirkus Reviews)“Dizzyingly inventive and hypnotically engaging, A DIRTY JOB is . . . like no other book I’ve ever read.” (Gregory Maguire, author of Wicked and Son of a Witch)“[A] wonderful, whacked-out yarn.” (Publishers Weekly)“Moore’s signature tossed-off humor is in full effect, and it’s easy to care about his warm, lumpy, honest characters.” (Entertainment Weekly)“To keep a straight face while reading this book, one would have to be dead already ... Grade: A.” (Rocky Mountain News)

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From the Back Cover

Charlie Asher is a pretty normal guy with a normal life, married to a bright and pretty woman who actually loves him for his normalcy. They're even about to have their first child. Yes, Charlie's doing okay—until people start dropping dead around him, and everywhere he goes a dark presence whispers to him from under the streets. Charlie Asher, it seems, has been recruited for a new position: as Death.It's a dirty job. But, hey! Somebody's gotta do it.

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Product details

Paperback: 405 pages

Publisher: HarperCollins; Reprint edition (March 27, 2007)

Language: English

ISBN-10: 9780060590284

ISBN-13: 978-0060590284

ASIN: 0060590289

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

3,361 customer reviews

Amazon Best Sellers Rank:

#47,927 in Books (See Top 100 in Books)

A friend who manages a bookstore tried to turn me on to this offering two years ago and it took me this long to get around to reading it. Now I'm kicking myself for not doing so earlier. "Lamb" is alternately touching, funny, thought-provoking and even inspirational. In an era where so much of what is published (or self-published) is utter crap, it's good to know there are still a few authors taking the time to craft brilliant, enjoyable stories.For the first time in a long time, I had a hard time putting a book down. This one cut into my sleep, but it was so worth it! I'm now reading another Moore book, "A Dirty Job," and I'm happy to report it also is excellent. I'm sure I'll be reading everything this author has in print within the next few months. One caveat, however: if you're a person with ... mmm ... something less than flexible religious convictions who's easily offended, you may want to give this one a miss. It's intended -- at least in part -- as parody, but I'm guessing not everyone is going to get the joke.

This story tries to imagine the big gap that occurs between Jesus' birth and his the years of public ministry. Told from the modern day perspective of Jesus' best friend, the book portrays the Messiah as that perfect kid you couldn't even hate because he is just too good. The book doesn't espouse any philosophy or dogma, but it also refrains from making fun of the beliefs of Judaism or Christianity in anything but an affectionate way. If you have an affection for religion without taking it too seriously, you might find this an enjoyable read. I sure did.

This book was given to me by my son-in-law. When I started reading it I did not understand why he would give me such a strange book? I could not get into it.But I did not want to disappoint him so I resolved to at least give it a try. Since I love audio books, I added audio to this book and voila, the book took a totally new meaning. I love the narrator Fisher Stevens and listening to him brought the book to live.The book is funny and sweet and strange and I loved Charlie Asher. The story takes place over number of years where newborn Sophie is growing up on top floor of Charlie’s second hand clothing store. She is being cared for by two immigrant ladies Chinese and Russian.The talent of Fisher Stevens is so great that all character voices and accents are tailored to the characters, recognizable and in case of babysitters very funny because they were so real sounding.Charlie Asher is identified as Beta male, which according to the book description is dependable, loyal, responsible and sensible individual. It sounds boring but Charlie is far from it – Charlie is a Death Merchant and Soul Collector.Since Charlies wife Rachel died right after Sophie was born, Charlie is raising her himself and she is the most important person in his life, but his job sometimes takes him away from Sophie under most unusual circumstances.The writing is very good. The dialogue between the different characters is so real and entertaining that it reminded me of my own family gatherings.All characters are worth mentioning – Lillie, the Goth girl; Ray, the retired disabled detective; Charlie’s sister Jane who can’t decide on her life partner and Charlie’s daughter Sophie, who just by saying word “kitty” makes people and animals disappear.And the ending did not disappoint.5 stars for the story and 5 stars for the narrator Fisher Stevens

As a Catholic I had some "hang ups" when I first read it. I even went as far to put it away and not read it anymore cause I was just SOOO sure I was right about things. I told the friend that recommended it to me that is was certainly NOT my cup of tea. He is not particularly spiritual or Christian. He told me this was the book that GOT him to read the whole bible. He laughed and cried through the whole book "Lamb" he said....So I put my "thoughts" on a shelf and read it. I laughed and I cried. I am heart broke the book is finished. The kind of heart broke that you feel when your favorites TV series has its last show of its last season and no more will be made EVER. How WILL you go on is how one feels. This book has gotten me to STUDY the bible more. When I come upon certain stories in the bible that were talked about in this book "Lamb", the stories Biff, Jesus childhood friend refers too, I laugh and remember Biffs spin on it cause he was supposedly there and he told it His way. It gives me the feeling of belonging that I feel I know something that no one else knows. I huger to read more of the bible now just to keep that feeling. Yes I know which is the real and which is from the book Lamb. I just like feeling of belonging now

I am a devout Christian...I also appreciate good writing and a person's effort and sense of humor. Moore has clearly done a lot of research into the Jewish ways of life and all sorts of things in the time period when Jesus lived. He said mixed it with some imagination and well meant humor. I loved the book! He went wild with it and i loved every minute of it...i know a lot of Christians might call it blasphemous but I think to that Jesus would say, "relax, take a chill pill"

it'd been a few years since i'd read a christopher moore book, and i knew i was ready for his absurd, heart-warming, over-the-top brand of comedy-horror, and i got everything i could have hoped for with a dirty job. here's the first sentence: "charlie asher walked the earth like an ant walks on the surface of water, as if the slightest misstep might send him plummeting through the surface to be sucked to the depths below." timid charlie asher of course winds up a merchant of death, like santa's elves, only for death. together with a few other merchants he meets, his infant daughter, sister, his employees at his thrift store, a cop, two hellhounds, and a mysterious tibetan mystic, charlie must figure out why darkness is descending upon san francisco. hilarious, wise, exciting, and filled with enough dark imagery to be perceived of as a cry for help, moore nonetheless manages to create a stirring romance and morbid journey to self-recovery. highly recommended.

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Download The Invention of Decolonization: The Algerian War and the Remaking of France

Download The Invention of Decolonization: The Algerian War and the Remaking of France

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The Invention of Decolonization: The Algerian War and the Remaking of France

Review

"Although he acknowledges that France's 'civilizing mission' never lived up to its press notices, Todd Shepard is probably correct when he notes that the war exposed once and for all the conceit that France's 'Republican universalism' could unite peoples of different races, cultures, and languages around a single vision of national unity."―Douglas Porch, Times Literary Supplement, September 21, 2007"A detailed, inventive, and engaging analysis of the debates surrounding the thorny issue of who could be French and under what conditions that arose as eight years of armed conflict drew to a close."―French History"With the tremendous interest in French colonialism and identity, in the relationship of the former colonies to the French nation and in colonial and postcolonial discourses, Todd Shepard's timely and significant work will be of interest to a wide range of scholars. Using Algeria as a case study, Shepard shows how the history of French imperialism and anti-imperialism was rewritten after Algerian independence by bureaucrats, politicians, and journalists in such a way as to present decolonization as 'a predetermined end point' that was inevitable, rather than as the failure of a genuine project of national integration in the colonies."―Modern and Contemporary France"The need for historically specific accounts of decolonization has arguably never been more urgent. The Invention of Decolonization illuminates how 'the end of French Algeria' reconfigured the social, sexual, and political orders of postwar France. Todd Shepard thereby joins the story of the Algerian War and its aftermath not just to histories of postcolonialism, but as provocatively to contemporary debates about national belonging, racialized citizenship, confessional politics, and state-sponsored efforts at remembrance, repatriation, and reconciliation."―Antoinette Burton, Professor of History and Bastian Professor of Global and Transnational Studies, University of Illinois, Urbana-Champaign"Todd Shepard's examination of the way representations of Judaism, sexual orientation, and gender figured into political debates about decolonization is pathbreaking. Shepard makes a compelling analysis of how the war in Algeria and efforts to resolve the issues it raised were crucial to the making of the Fifth Republic. His excellent book is exemplary of new developments in conceiving and writing the history of France and Algeria."―Donald M. Reid, University of North Carolina-Chapel Hill"Todd Shepard's powerful book shows both how the decolonization of Algeria became thinkable in metropolitan France and why the French failed to come to terms with the contradictions inherent to the republican project, as they simultaneously distanced themselves from responsibility for the war. Shepard convincingly reveals the war's crucial role in recasting definitions of French identity and citizenship, which continue to shape current debates about racial inequality, exclusion, assimilation, immigration, and the place of Islam in France."―Caroline Ford, University of California, Los Angeles"Todd Shepard, in this highly original and well-researched account, uncovers how France, attempting to hold together its empire after World War II, tried to become more inclusive―extending citizenship rights and a form of affirmative action to Muslim Algerians, only to reverse itself after losing Algeria in 1962. Abolishing by fiat Muslims' citizenship rights, now acting as if 'colony' and 'metropole' were necessarily starkly separated, France redefined itself as a singular nation in a more unambiguous and more exclusionary manner than had been the case before."―Frederick Cooper, New York University, author of Colonialism in Question: Theory, Knowledge, History"The Algerian War has attracted huge attention in France during the last ten years. Most historians, however, have assumed that their task is simply to describe the workings of an apparently unstoppable process and they have, to a large extent, concentrated on the behavior of the French army. Todd Shepard's book approaches this debate from a new angle. Partly by looking through a wide lens―one that encompasses everything from Brigitte Bardot to Gaston Monnerville―and partly by taking the arguments in defense of Algérie Française seriously, he shows how departure from Algeria helped to create a new idea of Frenchnesss. This is an important book with implications for the current state of France as well as for many aspects of French history between 1830 and 1962."―Richard Vinen, King's College, London

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From the Back Cover

"The need for historically specific accounts of decolonization has arguably never been more urgent. The Invention of Decolonization illuminates how `the end of French Algeria' reconfigured the social, sexual, and political orders of postwar France. Todd Shepard thereby joins the story of the Algerian War and its aftermath not just to histories of postcolonialism, but as provocatively to contemporary debates about national belonging, racialized citizenship, confessional politics, and state-sponsored efforts at remembrance, repatriation, and reconciliation."--Antoinette Burton, Professor of History and Bastian Professor of Global and Transnational Studies, University of Illinois, Urbana-Champaign "Todd Shepard's examination of the way representations of Judaism, sexual orientation, and gender figured into political debates about decolonization is pathbreaking. Shepard makes a compelling analysis of how the war in Algeria and efforts to resolve the issues it raised were crucial to the making of the Fifth Republic. His excellent book is exemplary of new developments in conceiving and writing the history of France and Algeria."--Donald M. Reid, University of North Carolina-Chapel Hill "Todd Shepard's powerful book shows both how the decolonization of Algeria became thinkable in metropolitan France and why the French failed to come to terms with the contradictions inherent to the republican project, as they simultaneously distanced themselves from responsibility for the war. Shepard convincingly reveals the war's crucial role in recasting definitions of French identity and citizenship, which continue to shape current debates about racial inequality, exclusion, assimilation, immigration, and the place of Islam in France."--Caroline Ford, University of California, Los Angeles "Todd Shepard, in this highly original and well-researched account, uncovers how France, attempting to hold together its empire after World War II, tried to become more inclusive--extending citizenship rights and a form of affirmative action to Muslim Algerians, only to reverse itself after losing Algeria in 1962. Abolishing by fiat Muslims' citizenship rights, now acting as if `colony' and `metropole' were necessarily starkly separated, France redefined itself as a singular nation in a more unambiguous and more exclusionary manner than had been the case before."--Frederick Cooper, New York University, author of Colonialism in Question: Theory, Knowledge, History "The Algerian War has attracted huge attention in France during the last ten years. Most historians, however, have assumed that their task is simply to describe the workings of an apparently unstoppable process and they have, to a large extent, concentrated on the behavior of the French army. Todd Shepard's book approaches this debate from a new angle. Partly by looking through a wide lens--one that encompasses everything from Brigitte Bardot to Gaston Monnerville--and partly by taking the arguments in defense of Algérie Française seriously, he shows how departure from Algeria helped to create a new idea of Frenchnesss. This is an important book with implications for the current state of France as well as for many aspects of French history between 1830 and 1962."--Richard Vinen, King's College, London

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Product details

Paperback: 304 pages

Publisher: Cornell University Press (February 7, 2008)

Language: English

ISBN-10: 9780801474545

ISBN-13: 978-0801474545

ASIN: 080147454X

Product Dimensions:

6.1 x 0.8 x 9.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#338,415 in Books (See Top 100 in Books)

First three chapters are very interesting, thats all really. The author has no understanding of what this conflict was about.I felt this book was written for a left French audience to be honest. Disappointed. I returned the book to Amazon.

I grew up in France during these years but I had to read this book to understand what had happened

This work made a big splash when it was published. Everyone in the field agreed it would make an impact on everyone's understanding of events surrounding that period in time... the when, why and how the French government decided to pull out of Algeria after 130 years of colonization. It remains a very important contribution to the field, essential reading.

good

Historically correct but it's very dry readin

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Free Download Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury, by Carolyn Burke

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Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury, by Carolyn Burke

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Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury, by Carolyn Burke


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Foursome: Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury, by Carolyn Burke

Review

"[A] sharp-eyed group portrait of two artistic couples ... [Burke depicts] in rich detail the complex interactions among four vibrant people during a seminal era in American culture--a task she accomplishes in astute, lucid prose."--Wendy Smith, The Washington Post"Seasoned biographer Burke ... chronicles the intertwined lives of four 20th-century influencers who propelled American photography and painting through momentous decades ... solidly researched."--Library Journal "Intimate and exhaustively researched ... offers detailed insight into one of the most important periods in American art."--Publishers Weekly "A well-researched account of sensual artists."--Kirkus

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About the Author

CAROLYN BURKE is the author of No Regrets: The Life of Edith Piaf, Lee Miller: A Life (finalist for the NBCC), and Becoming Modern: The Life of Mina Loy. Born in Sydney, Australia, she now lives in Santa Cruz, California.

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Product details

Hardcover: 432 pages

Publisher: Knopf (March 5, 2019)

Language: English

ISBN-10: 0307957292

ISBN-13: 978-0307957290

Product Dimensions:

6.6 x 1.4 x 9.6 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#3,539 in Books (See Top 100 in Books)

This book was waiting for me in my Kindle file on the day it came out and I devoured it. I have read other biographies of O’Keeffe but I liked Ms. Burke’s gift for dramatizing the relationships among the four artists she chose to write about. I was especially grateful to learn about Rebecca Salsbury Strand. The author cuts away all the excess info and gossip and shows us the passion and the talent of her subjects in sharp relief. This is a book that is beautifully written!

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