Download PDF , by Massimo Pigliucci

Download PDF , by Massimo Pigliucci

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, by Massimo Pigliucci

, by Massimo Pigliucci


, by Massimo Pigliucci


Download PDF , by Massimo Pigliucci

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, by Massimo Pigliucci

Product details

File Size: 1990 KB

Print Length: 289 pages

Page Numbers Source ISBN: 1541644530

Publisher: Basic Books; 1 edition (May 9, 2017)

Publication Date: May 9, 2017

Sold by: Hachette Book Group

Language: English

ASIN: B01K3WN1BY

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Stoicism is a guide to living a happy, peaceful, and fearless life. It may be two thousand years old, but what it says – especially its way of life which the Stoics called “ethics” –  is as applicable today as it has ever been. Stoicism doesn’t need “improvement” but it does need to be expressed in current English and the examples need to be updated so it is relevant to modern life.There have been several attempts to do this. For example, Donald Robertson’s "Stoicism and the Art of Happiness" and "The Philosophy of Cognitive Behavioural Therapy" explain Stoicism in specific contexts. My own Unshakable Freedom: Ancient Stoic Secrets Applied to Modern Life is also an application of Stoic philosophy to a specific area of life – achieving personal freedom. William Irvine’s "A Guide to the Good Life: The Ancient Art of Stoic Joy" takes a more comprehensive view of Stoicism. There is much to like in this book, but I felt Irvine was unduly defensive about Stoicism and deviated from it in some aspects. Therefore, I was looking for a comprehensive book on Stoicism that would be true the original Stoic thoughts, but would express them in current English with modern examples, without being defensive about it.In Massimo Pigliucci’s How to be a Stoic, I found such a book. I got it yesterday, read it overnight, and I like it. Here is why.1.It is clearly written.Stoic thinkers were also excellent communicators and good at expressing their thoughts. And there are many translations of their works which are also excellent. The problem is, when 2,000-year-old texts are translated they sound stilted to the modern ear. Sometimes the sentences are too long, the references too obscure, and the examples too far removed from our experience. Massimo’s book, on the other hand, uses relatively shorter sentences, familiar words, contemporary idioms, and examples that are of immediate relevance. It is easier to read and understand.2.The examples refer to problems we face today.The ancient Stoics faced imminent execution, exile, and arbitrary punishment. When Stoicism is explained using those examples, it can sound far removed from our concerns. Massimo applies Stoicism to our current concerns. This not only modernizes the Stoic examples, but points to solutions to problems that many people face.3.It answers objections to Stoicism without being defensive.Anyone who tries to interpret Stoicism to a modern reader has this challenge: How to relate our current life situation to what the Stoics said some two thousand years ago? Massimo uses a clever device to achieve this just like Epicteuts did. While Epicteuts had an imaginary conversation with Zeus, Massimo has several imaginary conversations with Epictetus. Pigliucci brings his concerns to Epictetus who then deconstructs them and shows how the Stoic solution really works. What I really liked here was the fact that the responses of this imaginary Epictetus are not a pale imitation of what Epictetus actually taught, but a clear interpretation of it. The result is a compelling picture of a Stoic way of life that is compatible with modern life.4.It uses personal experiences to illustrate the principlesThroughout the book, Massimo uses personal experiences. This works because it is immediate. It shows how he applied Stoicism in his own life. It is definitely easier to identify yourself with someone living today, leading a “normal” life than with someone who lived 2000 years ago under very different conditions.The book, in the tradition of Pierre Hadot, uses the framework of three disciplines of the Stoics: Desire, Action, and Assent.It starts with the basic premise of Stoicism that, “Some things are up to us and others are not.” Here Massimo discusses the dichotomy of control and why it makes sense. Then he goes on to discuss questions like: What does “living according to nature” mean? Why is life “playing ball?” How do preferred and dispreferred indifferents work? Most importantly, does God exist or is the universe a case of swirling atoms? While Epictetus (and other Stoics) were firmly in God’s camp, Massimo is not so sure. He prefers to be a skeptic, which should assure agnostics and atheists that the practice of Stoicism is open to anyone, believer or not.Then the book moves on to the discipline of action or how to live in this world. It starts discussing character (virtue) and provides several examples such as Helvidius Priscus and Malala Yousafzai. Massimo mentions that the virtues of Stoicism can also be found in various religions and it is important to preserve one’s integrity. We need to develop compassion toward others. One way to achieve this is to remember that people do bad things because they lack wisdom, rather than out of pure malice. Having role models can help us put things in perspective, so we can become better human beings. This section of the book concludes with a particularly good and useful discussion of coping with disability and mental illness, and the relevance of Stoic principles in such contexts.The third section of the book, the discipline of assent or how to react to situations, starts with a discussion of death and suicide. We are bothered by death because we are capable of contemplating it. Massimo believes that death is inevitable and takes issue with Ray Kurzweil (who believes in things like extraordinarily long life and singularity) for never wanting “to leave the party.” If you are thinking or worried about death, you may want to read this chapter. then moves on dealing with anger, anxiety, and loneliness. Here he reprises the idea that people do bad things because they don’t know any better. Think rationally about the situation to avert negative emotions. As Epictetus says “Logic defeats anger, because anger, even when it is justified, can quickly become irrational. So use cold, hard logic on yourself.” Massimo also discusses love and friendship before concluding the section with practical exercises.The Appendix section of the book has a brief but useful outline of the Hellenistic schools of practical philosophy.Massimo’s agnosticism and focus on Epictetus as the chief exponent of Stoicism parallel my own approach to Stoicism. I enjoyed reading the book. Reading it is like walking with a friend, who practices Stoicism, trying to explain to you what it is all about and how it helped him in his own life. A good read.

Despite its title, this book is more of a rumination on the core tenets of stoicism rather than a practical guide to living them.Do yourself a favor and if you are seriously interested in how to live more stoically, buy William Irvine's "A Guide to the Good Life: The Ancient Art of Stoic Joy." That book not only introduces you to all the great stoic thinkers (rather than just Epictetus as Pigliucci does), it also includes exercises for practicing stoicism and is written in a far more straightforward manner.Once you've read that, then come back for this book. In it, Pigliucci introduces modern ideas to the ancient philosophy, like cognitive behavioral psychology, evolutionary biology and more. Consider this book more of a journeyman's guide rather than an apprentice's.

I say it upfront: I like this compact little book. That is most likely because I have always admired Stoicism as the ancient Western philosophical school most congenial to my own life-perspectives and values. But, in addition, I admire the thinking of Massimo Pigliucci. Currently a Professor of Philosophy at CUNY, he holds doctorates in genetics, evolutionary biology, and philosophy, and is—in my view—a superb writer. I have three other books of his: Tales of the Rational: Skeptical Essays About Nature and Science (2000), Denying Evolution: Creationism, Scientism, and the Nature of Science (2002), and Nonsense on Stilts: How to Tell Science from Bunk (2010).As you can observe from the subtitles of the books above, Pigliucci’s tone seems to have become less formal, less academic, more—shall we say—chatty over time. It is the “chatty” tone that is present throughout How to be a Stoic: Using Ancient Philosophy to Lead a Modern Life (2017) The informality of this introduction to Stoic philosophy is personal and conversational throughout, beginning with the modus operandi of the text: an imaginary dialog between Pigliucci and Epictetus (a worthy representative and proponent of Stoicism, indeed) as they walk the streets of Rome (if you surmised that Pigliucci is Italian you are most correct, of course; he was born and raised in Italy and completed this book in Rome on a sabbatical). The dialog is in three main sections: (1) The Discipline of Desire: What is Proper to Want and Not to Want, (2) The Discipline of Action: How to Behave in the World, (3) The Discipline of Assent: How to React to Situations. These three sections are subdivided into chapters. dealing with topics such as “Living According to Nature,” “God or Atoms,” “Disability and Mental Illness,” “On Death and Suicide,” “Love and Friendship,” and similar modern-day (perhaps ‘eternal’) issues—all discussed in 240 pages of text.I cannot think of a more attractive introduction to the tenets of Stoic Philosophy and their practical application to one’s personal life journey. Pigliucci is not joined at the hip to Epictetus as they stroll through Rome. He departs, at least mentally, on side trips—personal examples from his own life that illustrate the application of Stoic perspectives, the views of philosophers and scientists (Hume and Darwin are two such) whose views challenge Stoic assertions, and brief comments about Eastern and Western philosophies that compete with Stoicism for allegiance. All is done informally, as if one was sitting on a porch with Massimo on a warm summer day discussing “life” over lemonade, tea, or an alcoholic beverage (the latter in moderation, of course; it is, after all, Stoicism under discussion).I admit that books on philosophy will not rank high on lists of “summer reads.” Perhaps How to be a Stoic can be added to reading lists for when the air has more chill and life seems more serious. Or you can leave it off any list entirely. Up to you. But this book could be a help if you are in the situation Dante writes about in Canto I of the Divine Comedy, quoted by Pigliucci at the beginning of Chapter 1: "Midway upon the journey of our life, I found myself within a forest dark, for the straightforward pathway had been lost." How to be a Stoic might be just the guide one needs to find the path again.

I was looking for a step by step book on how to approach modern Stoicism. This isn't it, and Massimo clearly explains why there can't be such a thing. His writing style is clear and I love his 'conversations' with Epictetus. He very much enlightened my thoughts on what Stoicism can be like. It's not an easy path, not because it's hard to be a Stoic, but because the habits of a lifetime are stubborn and not easy to change. I find myself re-reading it, and happy to do so, finding more useful thinking emerging with each reading.

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Ebook Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes

Ebook Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes

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Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes

Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes


Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes


Ebook Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes

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Roy DeCarava and Langston Hughes: The Sweet Flypaper of Life, by Langston Hughes

Review

"The Sweet Flypaper of Life" is an in­credible wonder that is so compact you can almost cradle it in your palm. A sense of hu­manity permeates the black-and-white photographs. (Nicole Herrington New York Times)“The Sweet Flypaper of Life” is an incredible wonder that is so compact you can almost cradle it in your palm. A sense of humanity permeates the black-and-white photographs...And DeCarava’s narrow range of deep tones breathes beautiful life into the black faces of the young and old. (Nicole Herrington New York Times)It is a book, then, that continues to fascinate, even more so, perhaps, in the current political climate. Its timely reissue will hopefully alert a new generation to a still undervalued master of intimate observation and his singular collaboration with a writer who instinctively understood his radical vision. (Sean O"Hagan The Guardian)Astonishing verisimilitude. (New York Times)The sensitivity of the photographs and the excellent blending of the pictures with the text... Bravo! (Henri Cartier Bresson)A mixture of the warm and stark, the tender and the slightly terrifying- in short, very like life itself. (The Village Voice)The subtle, the almost exquisite interplay of text and photographs. (Image Journal)A harmony more than poetry or photography alone, but its own kind of art... a delicate and lovely fiction-document of life in Harlem. (Lewis Gannett)

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About the Author

Roy DeCaravaOver the course of six decades, American artist Roy DeCarava (1919–2009) produced a singular collection of black-and-white photographs of modern life that combine formal acuity with an intimate and deeply human treatment of his subject matter. Grounded by a unified theory of the visual plane, his work displays a subtle mastery of tonal and spatial elements and devotion to the medium of photography as a means of artistic expression. DeCarava created images that carry an emotional impact in their immediate relationship to the viewer, while also revealing less-than-visible terrains. DeCarava’s pioneering work privileged the aesthetic qualities of the medium, carrying the ability to reach the viewer as a counterpoint to the view of photography as mere chronicle or document and helping it to gain acceptance as an art form in its own right.Langston HughesLangston Hughes (1902–1967) was a poet, novelist, playwright, and social activist. Known worldwide as a key figure of the Harlem Renaissance, Hughes’s work has been significant in introducing black history and culture into the corpus of American cultural history as well as inspiring with his humanistic concerns, writers in Africa, the Caribbean, Europe, and South America. While living in Harlem, Hughes maintained close relationships with other writers working in and around the city―Aaron Douglas, Zora Neale Hurston, Claude McKay, and Wallace Thurman were all considered friends and they would frequently gather to discuss politics, writing, and literature. Together, this close group of writers was instrumental in giving voice to the communities that would not accept persecution and marginalization. Hughes’s dispatches for the New York newspapers raised quotidian reportage to an art, filing moving descriptions of the famed Harlem Brigade who were martyred during the Spanish Civil War. Later in his life Hughes turned toward collaboration, working with the German composer Kurt Weill on the 1947 opera Street Scene, with jazz musicians including Charles Mingus and with the photographer Roy DeCarava on The Sweet Flypaper of Life.Sherry Turner DeCaravaSherry Turner DeCarava is an art historian, curator, and independent scholar in the fields of traditional arts and contemporary American photography. She has taught or lectured extensively at universities and museums, including Hunter College, City University of New York (CUNY), Brooklyn Museum, and Rockefeller University. Serving as the executive director, the principal focus of her professional career has been the development of The DeCarava Archives, which supports exhibition and scholarly research projects related to the work of her late husband Roy DeCarava. She is the author of two definitive texts on his photography, including that in Roy DeCarava: A Retrospective published by The Museum of Modern Art, New York (1996) and in Roy DeCarava: Photographs, a monograph published by the Friends of Photography/Ansel Adams Trust (1981). Awarded the Prix de la Photographie by Les Rencontres de la Photographie, the Arles Center for Culture, in its annual survey of international photography, her 1981 text was lauded as the best photo/text collaboration of the year. In 2014 she initiated First Print Press, beginning a process to republish classic Roy DeCarava books, while bringing new photographic projects into print.

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Product details

Paperback: 106 pages

Publisher: First Print Press; Reprint edition (September 4, 2018)

Language: English

ISBN-10: 0999843818

ISBN-13: 978-0999843819

Product Dimensions:

5 x 0.2 x 7 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#143,381 in Books (See Top 100 in Books)

"The Sweet Flypaper of Life" is a classic volume. Langston Hughes storyline combined with the photography of Roy DeCarava's photography was groundbreaking in the 1950's and it is still relevant and worthy of praise today. My mediocre review is not based on the quality of Mr. Hughes writing or Mr. DeCarava's photographs, both of them being above reproach. What pretty much ruins this book for me is the small format of the book and the reproduction of the photographs.I have no idea what the original book looked like. This printing might be an attempt to recreate the original in size and print quality, however, the current book is crippled by the tiny size and dark, detail destroying reproduction of the photographs. Roy DeCarava's photographs document joy. The photos are alive with this joy but the dark, muddy printing conveys the exact opposite emotion. While Mr. Hughes' text continues to soar, Mr. DeCarava and his photographs deserve better.At some point in time, I hope a larger format edition of this book can be printed. With better reproduction. The pictures need to be presented larger with better detail that conveys the joyous subject matter. The book is still worth buying, especially at the low cover price, but I would have been willing to pay considerably more just to have a better presentation.

First published in 1955, The Sweet Flypaper of Life, is a deft depiction of life in Harlem as seen through the eyes of Sister Mary Bradley.Sympatheyically juxtaposed with stunning black & white photographs captured by master photographer Roy DeCarava, and astute text written by renowned poet Langston Hughes, it adroitly conveys the struggles, triumphs, and relationships of every day black people.The marriage of these two genres birthed a photo-story that has reached lengedary status amongst both photographers and poets alike. Being a first of its time collaboration, DeCarava and Hughes, elite masters of their craft, unapologetically affirmed a gentler side of Harlem life of which was scarcely or never before documented.Last re-printed in 1984, I wholeheartedly recommend you purchase a copy of this hard to find out of print masterpiece of if ever the chance arises. It is only then that you will truly appreciate what it means to be bathed fully by "The Sweet Flypaper of Life".Jamusu.

This is beautiful book. Langston Hudghes words, written after he viewed the fabulous photos by Roy DeCarava, are perfect. It's just a shame the books wasn't printed in a larger format. It's still absolutely worth purchasing.

Roy DeCarava is the master! This is a basic must read for serious students, and lovers of this genre in photography.

The love and respect that DeCarava and Hughes felt for Harlem and the people who lived there is on every page.

a classic!

So happy to have found the classic at a reasonable price!

Wonderful edition of this classic!

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Anatomy of a Miracle: A Novel*, by Jonathan Miles


Anatomy of a Miracle: A Novel*, by Jonathan Miles


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Praise for Anatomy of a Miracle“Funny, bighearted...Miles specializes in giving fully rounded humanity to characters who might elsewhere be treated as stock figures...pitch-perfect.”— New York Times Book Review"Jonathan Miles's masterful new novel Anatomy of a Miracle documents the slo-mo explosion of an attention-grabbing event with trompe l'oeil flourishes...Miles is a writer so virtuosic that readers will feel themselves becoming better, more observant people from reading him... Part of why Anatomy feels so expansive is that Miles takes every opportunity to delve into the characters' backstories... but this keen interest in people is part and parcel of a book in which the author describes humans as 'extraordinary' at least three times. In Miles's world, everyone — not just the people shouting loudest on the internet — is worthy of attention."— Los Angeles Review of Books"The impossible happens in... Jonathan Miles's latest novel, Anatomy of a Miracle. But it's what occurs before the astonishing event and what unspools after that will break open hearts and imaginations... Miles's powerful prose nudges readers to seek the soft spots between faith and judgment, story and science, and fact and fiction."— CJ Lotz, Garden & Gun"Anatomy of a Miracle by Jonathan Miles is a novel that reads like a true story. It's about a US veteran whose paralysis from the War in Afghanistan is miraculously cured. Cue a media frenzy and you finishing this story in days."— TheSkimm“Brilliant, moving, suspenseful, funny, rich, and humane….by far his best work. It’s a robust and powerful story about humanity, hope, loss, and courage. And LOVE. Cannot recommend it highly enough, truly!” —Elizabeth Gilbert, author of Eat, Pray, Love and Big Magic, on Instagram“Heartbreaking and laugh-out-loud funny.”— Books Inc, in the San Francisco Chronicle“[Anatomy of a Miracle] is a remarkable combination of medical mystery, satire and war story. Like Ben Fountain's Billy Lynn's Long Halftime Walk, it captures the long-lasting effects of war by focusing on those for whom war is only a tangential thing somewhere far away.”— Shelf Awareness“Jonathan Miles’ smart exploration of everything from the excesses of American popular culture to the deepest aspects of religious belief roars to life... A vivid portrait of our need to believe and its unintended consequences... Anatomy of a Miracle is a thoughtful modern morality play that’s as current as the latest internet meme and as timeless as the foundations of faith”— BookPage"Miles possesses a rare and admirable command of structure and style, shifting smoothly from Afghan patrol tactics to Catholic doctrine to neurological science; his sentences are thick with data, wittily delivered. … An expertly shaped tale about faith in collision with contemporary American culture.” — Kirkus (starred review)"Vibrant, bustling, and humorous... Cleverly shaped as a journalistic report, and told in a style similar to that of John Jeremiah Sullivan and Ron Currie, Miles' tale offers a nuanced and endlessly entertaining exploration of the age-old debate between faith and reason."— Booklist“With sincerity and wit, Miles pens a strong, sardonic rumination on the religious boundaries of the miraculous.”— Library Journal"Affecting."— Publishers Weekly“Jonathan Miles has written a novel whose comic moments alone make it a wonderful read, but Anatomy of a Miracle quickly becomes so much more: an intense, and intensely profound, meditation on how an extraordinary event might test the limits of both scientific and religious belief. What a superb writer; what a superb book.”—RON RASH,  New York Times bestselling author of Serena and Above the WaterfallPraise for Dear American Airlines:“Wildly entertaining…not just philosophically but emotionally rewarding.” —Richard Russo, New York Times Book Review   “This is writing that pulls no punches...There’s a satirist’s edge to [it], an over-the-top sensibility reminiscent of Tibor Fischer and John Kennedy Toole. Satire, to be sure, is part of the point, but Miles is after something bigger—a story of reconciliation, of redemption, of a character trying to become unstuck. —David Ulin, Los Angeles Times“A flinty, funny, irreverent, and heartbreaking first novel. The writing reminded me of brilliant, early-days Martin Amis—except with redemption and hope. It’s not easy to write a book this good, but Jonathan Miles makes it seem effortless.” —Elizabeth Gilbert, author of Eat, Pray, Love   “Miles is a rare original who has pity and sympathy for almost everybody. Bravo.” —Barry Hannah, author of Airships   “I loved this novel, which is strong medicine indeed.” —Jim Harrison, author of Legends of the FallPraise for Want Not:“Well, I loved this book. I don’t know if it helps you or anyone to delay that assessment, so I won’t. Jonathan Miles can write, and here he’s written a wonderful book, and there’s no one I would not urge to read it...This is the work of a fluid, confident and profoundly talented writer who gets more fluid, more confident and seemingly more talented even within the book itself. As it progresses, Want Not so assuredly accumulates power and profundity and momentum that I read the last 200 pages without pause.” —Dave Eggers, The New York Times Book Review“Immensely satisfying…while [Mr. Miles] is presumably capable of writing a bad sentence, he doesn’t do so here, despite the big swings he often takes with his prose…gripping and memorable.” —New York Times“With a light Midas touch, Miles turns all the glut and ache of late America into pure gold...Read this book. It is warm, complex, comic, honest, and never flinching. Want Not wastes not a word, while its pleasures are endless.” —Joshua Ferris, author of To Rise Again at a Decent Hour   “A powerful, blisteringly funny novel...Miles mines the depths of waste so artfully that by the end of this extraordinary novel, we’re left with the suspicion that redemption may well be no more, and no less, than an existential salvage operation.” —Ben Fountain, author of Billy Lynn’s Long Halftime Walk

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About the Author

JONATHAN MILES is the author of the novels Dear American Airlines and Want Not, both New York Times Notable Books. He is a former columnist for the New York Times, has served as a Contributing Editor to magazines ranging from Details to Field & Stream, and his journalism has been frequently anthologized in Best American Sports Writing and Best American Crime Writing. He is also the author of a book on fish and game cookery, The Wild Chef, and competed in the Dakar Rally, an off-road race through Africa.

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Product details

Hardcover: 368 pages

Publisher: Hogarth; 1st edition (March 13, 2018)

Language: English

ISBN-10: 9780553447583

ISBN-13: 978-0553447583

ASIN: 0553447580

Product Dimensions:

6.4 x 1.2 x 9.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

86 customer reviews

Amazon Best Sellers Rank:

#392,577 in Books (See Top 100 in Books)

Jonathan Miles’s stab at a fictionalized non-fiction project lands like a dart in a bullseye with Anatomy of a Miracle. The unexplained, spontaneous recovery of PFC Cameron Harris’s severed spine of has all the trappings of a true story, complete with a reality tv experience (which, by its very existence, offers truly gothic and cringeworthy developments) - but it offers so much more, too. The unexpected narrative arc, absorbing and well rounded cast of characters, and the author’s lightly applied but heavily considered overarching pronouncements on the meaning of miracles, science, storytelling, and (of course) love all come together to deliver a story that will leave you thoughtful, surprised, and more than a little heartbroken.Rarely a false note. I felt a little bogged down by the unrelenting recording of the reality show details but I’m not really a tv kinda girl, so your mileage may vary, as they say. Miles’s ability to employ that reality show, however, in the larger cause of de eloping a gothic southern Lit for the 21st century, though - that delighted and impressed me, and made the parts I found a little tedious more than worth their while.You won’t soon forget the stories of Cameron, his sister Tanya, and the several others who grow to take their place among the principals here. I won’t tell you who they are because that would spoil all the terrific twists and turns that this story holds! And even as you read the fiction, don’t forget that this could very well be some soldier’s story - at least, several aspects of it. Our young vets have suffered more than most of us will ever know or appreciate. And for what? Miles hints at that Gordon’s knot, too.heartbroken

Told as if a narrative nonfiction account, this novel explores issues of faith--in religion, in science, in love, in other people--from the perspective of a narrator who is decidedly not omniscient.What would you do if you witnessed something that appeared to be a miracle? Would you accept it as that? Or dismiss it as a scientific anomaly for which no explanation has yet been proposed? Or would you try to profit it and make the entire situation about yourself? All these questions and more are explored with humor, compassion and an eye that somehow combines cynicism and idealism. I quite literally laughed and cried at various intervals throughout this novel.How wonderful.

The author has a very engaging writing style. Very thoughtful phraseology, full-orbed vocabulary, amazing character development. This was supposed to be about the quest to get to the bottom of whether or not an event was indeed miraculous as the masses seemed to have embraced it to be. Miracles in the sense of being God-wrought events is explored almost exclusively by looking into the Catholic church's handling of such things. That exposes some of the errors of the Catholic view on such things, but most certainly does not expose a biblical stance, a point which was, in the end, profoundly disappointing. It might have been helpful for the author to understand that Catholics do not speak for the whole of Christianity. Ultimately, the author waxes philosophical about right and wrong, sorting that out in a very humanistic stance; again, disappointing. So much left unexplored (biblical Christianity, for instance) and the characters left floating through life with no answers beyond what they can conjure in the moment based on, well, basically nothing. I was sad for every one of them for truly, to go through life with no ultimate truth, no real way to discern right or wrong beyond how one feels about something... Only sadness and feeling about in the dark, chasing whatever thought feels right on any given day. What a depressing world that would be.

This book is full of extremely intricate detail about every character, specific moments in their pasts, reactions to the “miracle”, and the mundane details of their lives. This is both extremely interesting, and very tedious. I found myself checking to see how many pages were left more than once, wanting to know the conclusion while also hoping for it to come soon. I would say it’s a well written, interesting book. It’s also a bit too much at times.

I've just finished this very engaging book, which is a novelized telling of the events in the life of Cameron, a paralyzed veteran of the war in Afghanistan, his sudden release from paralysis, and the wild consequences of that event for the lives of so many around him. Jonathan Miles does an amazing job of bringing to life this range of characters in a way that is intimate, respectful, and intriguing. His writing style is a delight, as he weaves in Southern expressions. All the important players in this story feel authentic... quite an accomplishment!The 'Miracle' is explored from every angle. For most of those involved, it seems to disturb their basic sense of reality. Perhaps the religious among them have the easiest time of it. It's 'obviously' the work of God. But that raises many questions about who is really deserving of a miracle? For a variety of reasons, many doubt that Cameron is worthy of such a blessing. The reader comes to have sympathy for Cameron and his sister, Tanya, who have suffered many losses in their young lives. And the tale of Cameron's time in Afghanistan is an important reminder of what our soldiers go through in time of war.If you come to this book expecting a sweet "lives of the saints" story, you may be disappointed. It's much more about the complexity of each life... about the influences which have made each us who we are. And it delves into how we attempt to cope with the unexplainable, the unknowable... how we seek consolation in our own ways.As someone who lost a loved one to suicide, I appreciated this book's respect for the complexity of each person's life. And I'm aware of how I have sought the consolation of understanding. Somehow, if there's a reason, or a multitude of reasons, the reality is easier to bear. For Cameron, at the end, we see a glimmer of hope for a fuller life.

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