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Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film
Get Free Ebook Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film
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Audible Audiobook
Listening Length: 23 hours and 30 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Brilliance Audio
Audible.com Release Date: December 1, 2008
Whispersync for Voice: Ready
Language: English, English
ASIN: B001MUU14C
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Biskind's book focuses on how independent film became just another product for the movie studios during its rise in the 80's and 90's. His focus, though, is on two of the most important movers and shakers in the independent world; Harvey and Bob Weinstein the founders and driving forces behind Miramax films and Robert Redford's Sundance Institute and film festival for independents. What makes Biskind's book unique is its inside information (frequently provided by people who are afraid of going on the record for fear of being black listed by the Weinsteins).His portraits provide a harsh, naked glimpse at the greed and ego (terms used to describe Bob and Harvey Weinstein by one former exec)that drive these important creative/business forces. He also focuses on the passion and love of film that helps provide these individuals with peace of mind about how, who and why they do business the way they do. We also get glimpses of other creative forces that have emerged from into the spotlight; Tarantino is portrayed as brilliant, manipulative and as much a credit hog as Orson Welles was claimed to be early in his careerOne telling moment that says it all about how money and fame change people--Tarantino's lawyer faxes screenwriter Roger Avery an addition to this contract. In the new contract Avery will be paid a substanial sum if he will forego his screenwriting credit on Pulp Fiction he will, in return, continue to make residuals on the film and be given a co-story credit. Why? Because Tarantino feels his film would look better if it concluded with a single credit "Written and directed by Tarantino" . Avery signs because he needs the money and because his own project Killing Zoe will sink without the additional income. What disturbs him is that Tarantino didn't lobby for this himself--he had an outside party do it even though they started together as clerks in the same video store and have known each other for years.In another section a discussion focuses on how Redford's Sundance organization tried to squash another festival that would focus on first films directed by individuals without a deal. Some of these films were also rejected for competition in Sundance due to politics more than an estimation of creative worth. The competition wasn't healthy in their eyes; evidently more options and better films has been supplemented by the business of Sundance.There's positives as well--the story focuses on how the Weinsteins and Redford helped refocus Hollywood away from producing cookie-cutter blockbuster fare as they did after the success of Star Wars and the formular driven movies that came in its wake. Success breeds imitation and sometimes that imitation debases and destroys the creative process.Biskind is also quite honest about how Miramax attempted to distract and tempt him away from writing this book by dangling the carrot of a deal with their publishing division. He was tempted to take the deal but stuck to his guns.This fascinating portrait demonstrates that Redford and the Weinsteins despite their faults helped to refocus American film away from the blockbuster schlock that dominated the industry for a long period of time. The positive effect is that films with meaning and that were cutting edge were, again, being given their due even if they were frequently compromised by those very people providing them with an outlet. Ultimately, it's always about balancing art and commerce. As Biskind points out, commerce usually wins but sometimes the art sneaks out for a night on the town.This isn't a perfect book and while there's a lot of fair balance, Biskind is upfront about proving his thesis. There's lots of suspects in the mugging of American film and sometimes the very people doing the mugging are also solving the crime.
This is the third Biskind book I have read. The first I picked up was his famous Easy Riders, Raging Bulls. Enjoying it so much, I purchased this book as well as Seeing is Believing, his book about the 50s. Seeing is Believing was a big letdown, as my review for the book demonstrates. It was with trepidation that I picked up Down and Dirty Pictures, but I was happy to see Biskind was sticking with his Easy Riders formula.Using Sundance and Miramax as his focal point, Biskind explores the so-called independent film movement from the late 1980s until around 2002. I say so-called independent film because Biskind pretty well demonstrates that by the mid 1990s most of what was hyped as independent film was being driven by studio divisions dedicated to them. I have no doubt true independent film still exists, but once Miramax shifted from acquisitions to production and studios began buying up companies like Miramax, folks with their own cameras and a few friends seem less likely to get distribution agreements.Biskind seems to have done extensive interviewing, though he acknowledges in the preface that he had access to the Weinsteins, the top men at Miramax, but had much more limited access to the folks at Sundance, including Robert Redford. As a result, the book deals more extensively with Miramax than Sundance. At times, it can become a little gossipy but those stories do a good job of demonstrating the personalities of the business and some of its harsh financial realities.If you read this book, you will walk away with a good understanding of the economics of the business, especially in the 1990s. You will also end up with a list of movies to add to your netflix list or to pick up at blockbuster.Of course, the book ends just before the Weinsteins split from Miramax (their baby from the start, named after their parents Miriam and Max) and started a new production company. Still, it encapsulates a moment in time where the Sundance Film Festival and Miramax exploded into the film industry and helped drive tremendous creative output that for the first time, reached an audience outside of Park City, Los Angeles, and New York.
Enjoyed it. Apparently nobody read it over the past 20 years or else they would have been onto Harvey much earlier. I lived through the Golden age of the indies and it was pretty amazing. To be think we'll never see have that again is kind of sad.
Written years ago before all of the current Hollywood scandals. One has to wonder why people like Streep and others didn’t speak up earlier when they apparently knew about Weinstein
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